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Artist Statement
When
I am dead, let it be said of me: 'He belonged to no school, to no church,
to no institution, to no academy, least of all to any regime except the
regime of liberty.' (Gustave Courbet)
Bernadine Fox BFA is a
multi-talented artist who creates both three- and two-dimensional work.
Mostly, she paints in traditional oil on canvas with bright
colours, strong contrasts and an emphasis on light.
Her drawings are usually rendered realistically although she loves
the immediacy and line only afforded with contour. She sculpts and works
with mixed media using computer graphics, collage and assemblage.
At first glance, one might construe her range of mediums as an
inconsistency until you become familiar with her subject matter.
Then it becomes clear that for Bernadine, the message she skilfully
conveys with her art is more important than the medium employed.
The narratives she weaves are generated from the inspirations and
the experiences found within the context of being female.
Bernadine creates works of art for and about the contemporary lives
of women.
Fox is a contemporary artist and as such she finds value in the
post-modern imperative of communicating with one’s audience.
Her paintings emulate the style of expressionists and
post-impressionists like Van Gogh, Gaugin, and Munch, Kollwitz, and
Valadon.
Several years back,
Bernadine abandoned the white canvas for black.
By doing so, she reversed the traditional approach to creating art:
instead of painting shadow and darkness, Bernadine paints light
mirroring how we see and understand the world.
It is light reflecting off objects that tells us if it has a
polished or rough surface. As
light hugs the side of objects it reveals their shape.
It is the contrast between light and dark that lets us know how
close we are to an object. In
the same way, it is the painting of light that brings an object in
Bernadine’s work to life.
Your
paintings were gifted with a delicacy of light and shadows that webbed the
simple into a complex narrative of reflections and colour, I truly admired
your paintings!"
Edmond
W. at PHS and Interurban Gallery
Fox’s great-great uncle, Timothy Cole, was renown in North
America for his prints from wood engravings.
Like Cole, Bernadine’s artistic talent was recognized early in
childhood. She started painting, in oil, at ten years of age.
She has an education in both fine art (BFA, Emily Carr) and in
mental health. She has worked
extensively with survivors of severe childhood trauma and with a variety
of professionals around DID (Dissociative Identity Disorder).
Her expertise lies in the nature of trauma, memory, dissociation,
and normal human behaviour.
Bernadine's
work with women re-ignited her passion for creating art that spoke to the
contemporary reality of their lives. Surprisingly, this has less to
do with what has been commonly-held for them like cooking, gardening, or
fashion and more to do with striving for economic and racial equality,
juggling work and child- or elder-care, enjoying sexual freedom, along
with building homes, stock portfolios, and businesses. Our understanding
of their priorities is in desperate need of an overhaul and the obstacles
they face are not "other" but the very experiences that ripen
the female self. Bernadine’s work draws its essential force from an
inalienable right to be self-defined. Therefore, in art, she wants
herself, and women in general, to be artistically touched by the female
hand. She makes art that matters, declares meaning, at times defies status
quos and, at other times, will reach inside and touch some small part of you.
"...it
was a beautiful exhibition of your paintings, the images and colors of the
fruit/still-life’s are still reverberating in my memory."
Savannah T.E. Walling,
Artistic Director, Vancouver Moving
Theatre &
Associate Artistic Director, DTES Heart of the City Festival
Bernadine
understands that art is a powerful form of language. Drawing upon
her fine art training and her study of socio-psychological constructs,
normal human behaviour, how our brains process life experience, and
self-archaeology Fox
infuses her work with layers of meaning far beyond the surface images
allowing each individual viewer carte blanche to explore their own
personal response to the art. She focuses on the human condition and
how the complexities of self-expression, most especially nonverbal forms
of communication, reveal the human condition and our sense of identity.
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